Hirokazu Kore-eda, Japan, 2013, 120 minutes
It can hardly believe it’s been 10 years or so since the Japanese director Hirokazu Kore-eda first came to my attention with the absorbing drama Nobody Knows, in which a family of four children try to hide the fact that they have been abandoned. In Like Father, Like Son, we have a similarly improbable, yet drawn from real life, dramatic hook—two boys have been switched at birth and the error comes to light six years on. As with his other films, the delight comes not from the destination but from the sheer craft of the storytelling. There really is no Western analog for the Kore-eda way of filmmaking—so understated and careful in approach; so fulsome and satisfying in effect. At Cannes in 2013 it was nominated for the Palme d’Or and won the Jury Prize—for me it was quite simply one of the very best films of that year.